Permanent Collection—a dozen of Steve's favorite poems
THE CLOCK . . .
. . . without hands still may understand the
time, but cannot speak to me.
I walk down the street gaze at
faces of other clocks as we pass each other by,
wish I could
supply each one of them with the hands it lacks,
wish, in
fact, that I could remember where I left my own.
SELF PORTRAIT
Every day of my life
somewhere
a lover selects a flower to pluck
from her meadow; a prisoner dreams of what lies
beyond the dungeon;
a child takes first steps; raindrops re-sculpt a mountain peak;
music is performed that none
has ever heard before; somebody, once again, admires
a Van Gogh self-portrait.
Our calendar says it’s September thirteenth, two thousand seven, and my days therefore
number twenty two thousand two hundred
eighty. If the mental math is a bit much,
I can reveal that this number divided
by three hundred sixty five gives the result of sixty one,
with a remainder of fifteen (a tally for every
fourth February).
Today is the twenty two thousand two hundred
eightieth day on which I will not paint
my self-portrait.
Yet, stumbling like a child’s first steps, I compose another poem, think of the times
when music, or flowers, reminded me that life
is more than what we can see from the inside
of our prison cells.
Yes, I know that every mountain
wears down in the wind and rain.
You have no need to remind me.
I respond that even hills that are older,
more rounded than I still
stand awe-filled, silhouetted
against the sunrise,
offer us the wisdom of everything they have understood.
I cannot mourn.
And when that time arrives,
I ask that you remember, in my honor
(perhaps on some future thirteenth
of September):
The only human beings who never die
are those who were never born.
DREAMS OF IMMORTALITY
Perhaps, one day I will be famous—
so famous that they’ll name a bridge, or a school, or a rest stop on
the New Jersey Turnpike after me and everyone as they pass by,
or over, or through, will read the
sign and ask themselves: “Who, I wonder, was Steve Bloom?”
EXPLORATION LEADS TO DISCOVERY
Two hundred years ago?
What
are two hundred years, when the people they visited had lived beside the
Missouri for a thousand summers or more, and did not care about the lines
Easterners drew on maps?
President Thomas Jefferson cared enough to
send Meriwether Lewis along with William Clark on their famous expedition,
with a vision of turning these heathen people into farmers, and traders.
There was, however, already a city (sixteen hundred miles from the
mouth of the river) where 4000 lived—more than in Washington, or St.
Louis. And their farms provided the corn so these explorers would survive
the cold of 1804 to 1805.
Amy Mossat lives today in New Town,
North Dakota, along with her fellow Mandan, Hidatsa, and Arikara.
Here she plants this same corn in her garden, unmodified by hybridization,
or genetic engineering.
Lewis, in his journals, referred to the native
people as “children.” The Indians, in return, named one of their own who
acted as a guide “Furnishes the white men with brains.”
Amy
Mossat can no longer live in Old Town, because it was hybridized, or
perhaps genetically engineered, some decades ago, inundated by the
Garrison Dam along with 155,000 acres of farm land—that many acres of
memories, and of sacred places.
Lewis and Clark passed through 50
nations. Each with its sacred places. You and I know a few names, like the
one we borrowed for a capital city after the Omaha village of Tonwontaga
was wiped out by the pox, or Chinook, because we gave it to a
fish.
We take the time to worry about the future of fish. But who
can tell me what has happened to the Chinook people? The Otoe and
the Missouri were expelled to Oklahoma, where descendants still long for
their northern plains. The Lemhi Shoshone were herded to the desert of
southern Idaho. Some of the elders of the Nez Percé, in 1877, who were
children when that tribe twice saved our explorers from starvation,
remembered—as they were rounded up and removed.
You, too, can
remember. Just follow the Lewis and Clark National Historic Trail through
towns where suicide is the number one cause of death.
*Based on reporting by Timothy Egan (New York Times, June 15, 2003)
WHERE YOU FIND YOURSELF
If we see flowers planted in a line
or shrubs, trimmed with perpendicular sides, you know right away that you
are in a place of human habitation.
If we see a river
constrained by concrete banks to make sure it does not intrude on
the spaces selected for humans to inhabit, you are surely in a city,
or at least a large town.
No river begins its existence with
perpendicular banks of hand-poured stone. Nor did the trees, the
grasses, the frogs and turtles, egrets, dragonflies, sandbanks
or tumble-down rocks that once lived along these shores ever think
to object if the waters changed shape from time to time, visited
their lives more intimately. Indeed this was something they needed
to remain alive and in proper harmony.
Which is why, when I seek
to remain alive and in harmony I go where the river offers me its
unfettered intimacy, play the game I call “imagine”— that there is
no place on earth where flowers are grown in straight lines, our
lives channeled by hand-poured stone.
A POEM IS
A poem is god's way of compensating us for the fact that she doesn't exist.
FLOWER PLOTS
Watch out for the caucus of crocuses
there, on the hill.
I hear they are hatching a plot
to overthrow the daffodils.
Beware the wisteria conspiracy
up on the ledge,
perfecting a plan I suspect,
to overgrow the privet hedge.
I wouldn’t interfere, if I were you, should bleeding hearts and columbine combine to show defiance
against that great lilac alliance.
And it’s OK to stand where you might see
but don’t get in the way
as the cherry blossom posse gallops by,
leaving pink hoofprints against the sky.
There’s so much more I’ll bet you never knew
about what flowers do,
and—when no one’s looking—where they go.
(Just don’t let on who told you so.)
DIALOGUE
“You are my Springtime flood after years of
drought, the cool evening breeze after a summer day, affirmation
that the sky is up, the earth down after so many moments of
doubt,” says the poet.
“I love you, too,” she replies.
“I
stroke your bare flesh, hold your body close to mine, explore your
eyes, your mouth, the secret place which lies where a female belly
curves away to disappear between two thighs— and forget, for just a
moment, that there is anyone else, besides the two of us, in
the universe,” he tells her.
“You are so wonderful,” she glows.
“Your smile is all the food and drink my soul requires, your
caress my shelter from the world.”
She gently squeezes his hand,
whispers: “Thank you so much for loving me.”
And he stares into
her face, unable to speak again, awed by the eloquence of her
words.
IN MEMORIAM
Most martyrs rest in graves
undraped with flowers.
Nobody will remember when or
where or how
they sacrificed—all that was
within their power—
and so I cannot tell you now.
. . .
Most martyrs rest in graves
undraped with flowers.
Beneath more storied tombs, I
sense it’s always true,
lie countless other heroines
and heroes who
gave equally as they were
called and so,
although well-praised the
celebrated dead must be,
this round let’s toast a
deeper victory.
For deeds which otherwise
remain unsung, unfurl
the banner left too long
unhung for all
who could in life achieve no
more than try their best,
and now, at last, in graves
we’ve draped with flowers, rest.
MINUTES
Annual meeting
National Association of Procrastinators
(acronym: "NAP").
Scheduled start time: 10:00 am
Actual opening: 3:25 pm
Motion: To postpone this session until
Tomorrow— carried unanimously.
MISSING IN REACTION
I look through the compact discs
for some music by Alma Schindler,
but there is none, nor
any under the name
of Alma Mahler—though
there are symphonies
and songs by Gustav.
Before they married, you see,
he made her promise that after
she would never try to fulfill
her promise as a young composer. His wife must have no career
save to make her husband comfortable.
He will create the music
in the family, thank you very much.
So she wrote
not one note more
during the next sixty years—
including five decades
that she survived
after Gustav’s death.
I have no way of knowing, however,
as I browse today, that Alma's music is what I crave—
to restore the rhyme my life is missing.
And so I’ll keep on searching.
APRIL 10, 2006
(New York City)
Sometimes politics proves to be
as strange as poetry.
Never thought that I would feel
at home in a demonstration
where one American flag
follows another,
after another,
after another.
But today it’s not the usual “my
country can beat up your country” crowd.
No, this time it’s the invisible people,
speaking out loud for a change.
“I am Haitian;
I am Korean;
I am Pakistani,” they tell me.
“I am Dominican;
I am Mexicana;
I am Filipino;
I am Ethiopian;
I am Jamaican;
I am Guatemalan
and I live here too.
I will not be less of a human being than you.
“I fly the flag of my country.
And I fly the flag of my other country;
for whether I am there or here
your nation would collapse
without the work I
do.”
So I stand watching, ask myself
whether we have, perhaps, just taken one small step toward the day
when every human being
will, at last, fly every flag
of every nation
and still feel at
home.